Free Hollywood movies Download In “13 Hours,” Michael Bay’s new movie about the real-life September 11, 2012 attack on two U.S. compounds in Benghazi, Libya, one super-tough CIA security contractor reads from Joseph Campbell’s “The Power of Myth.” The quote doesn’t stick thanks to a plangent sound mix that prioritizes explosions over wordplay, but the title of the book is more than enough to make Bay’s point.
The director is here to raise the names of six former members of the U.S. military, two of whom were among the four Americans killed in the attacks, to the status of legend. Billed as the true story of the “secret soldiers of Benghazi,” “13 Hours” is full of all the stuff that makes a Michael Bay movie: a restless leg syndrome approach to story and character, swooping cinematography, and a clear superiority of military know-how over everything else.
Free movie download sites, download movies for free online, download movies free without membership, free movie downloads no registration, download free movies for android, free movie download sites without paying, download movie free full. Paramount is positioning the military thriller as a “non-political” movie, but don’t be fooled: committing thousands of working hours and millions of dollars to tell the story of an event that dominated political discourse for months is inherently political.
Bay and screenwriter Chuck Hogan edge away from obvious targets — there’s nary a mention of Hilary and only the acronym POTUS to refer once to President Obama — but they heap derision upon the CIA and, through the character mouthpieces, spare few words for a seemingly distant administration that was woefully under-prepared for an attack in Libya. The takeaway is that systemic failure on the part of intelligence agencies, policymakers, and individual officers led to the loss of life in Benghazi.
13 Hours: The Secret Soldiers Of Benghazi
John Krasinski and James Badge Dale lead the cast as two of the bearded and hulking six-man security force assigned to babysit an unofficial but hardly covert CIA outpost in Benghazi. Pablo Schreiber, David Denman, Dominic Fumusa, and Max Martini fill out the roster, and all do their jobs with admirably serviceable aplomb. Krasinski’s work and his slab-like abs are enough to stifle jokes about that guy from “The Office” fighting in the Middle East.
Their characters — based on real soldiers, informed by Mitchell Zuckoff‘s book — observe impatiently as an ambassador’s tour, protected by two relatively inexperienced American soldiers and a whole cadre of unreliable local forces, goes totally pear-shaped. An amorphous insurgent force attacks the ambassador’s diplomatic outpost, then the nearby CIA base. Bay spends no time on insurgent motivations, choosing to stick to the American POV. It’s among the film’s few examples of wise restraint.
But no one actor truly gets to shine as all are overwhelmed by Bay’s style. The “Transformers” movies have revealed Bay’s ever-more dramatic leanings towards military fetishism and much of this film could be intercut with footage from those Hasbro-Toy robot movies with barely a skip. Bay shoots Libya like hostile alien territory with black sand shores, skies like smears of bleak oil, and decimated urban settlements pockmarked with the husks of downed helicopters and shredded tanks.
“I feel like I’m in a fuckin’ horror movie” says one soldier, an hour after the ominous score and mounting paranoia have made that sensation more than clear to the audience. To Bay’s credit, the atmosphere is effective, and as the attack winds on into the early hours of September 12, he builds outrageous tension.
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